C.C.Cole

C.C.Cole
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Tuesday, June 7, 2011

Book Review: “Freedom” by Jonathan Franzen by C.C.Cole June 7, 2011


All right, here goes nothing; I’ve tweeted, blogged, posted, and finally I’ve gone the distance to post my formal review of mega-novel “Freedom” by Jonathan Franzen.  The hype of this book is exemplary; including endorsements from a high profile celebrity, reportedly our highest elected official, and lots of smart people in the media that are so kind to tell us which books to read.  I don’t mind the smart people, but when they say this author can predict the future, that’s a bit much.  BTW, if you’re worried about spoilers, then you may not want to read this tome-synopsis.  Feel free to experience this load of fiction on your own.  For any that question my “place” as a new author of genre self-published fiction to review this mainstream bestseller, I’ll give a gentle reminder that I’m not reviewing this as a writer.  I purchased this novel; which promotes me to a member of Franzen’s audience.  The readers decide.

The novel begins with the long, detailed description of middle-class married couple Patty and Walter Berglund.  The earlier part of the novel focuses largely on Patty’s life.  She is the daughter of a very rich family with Democrat party connections; her mother is into politics and her father gets obnoxious when he drinks too much.  During a party, Patty gets date-raped and is understandably upset for many years following the incident, especially when her parents didn’t agree to press charges because Patty and her assailant were under the influence of alcohol.  Aside that, she is miserable for reasons not easily understood.  Later on, there’s reminiscence with an ‘autobiographer’ about Patty’s youth, when she was a star basketball player, attended college, had a druggie amoral friend, met “cool guy” Richard Katz, and meets Walter, who becomes her husband following a weird road trip she made with Richard Katz and had no intimate relations with him at the time. 

Somewhere later, the story moves to Walter, about his background, coming from a poor family, alcoholic father, deadbeat brothers, and a hard-working mother.  Walter is described as “wanting to be the good guy” and his roommate is Richard Katz.  Though having some political ideas that his friends don’t take seriously, Walter graduates from college and weds Patty.

The Berglunds have two children, Joey and Jessica.  Joey begins an intimate relationship with Connie, the neighbor’s daughter since adolescence.  Following their completion of high school and entry into college, the marriage of Patty and Walter begins to crumble; as Patty has chronic depression and alcohol use, and Walter has become a zealot in the fight for the bird cerulean warbler and against overpopulation.  He befriends his twenty-something assistant of Asian-Indian descent, who is his disciple and his latter love interest.  

Somewhere later, the novel moves to Joey, who becomes enamored with his college roommate’s sister, while keeping his relationship with Connie, who loves him unconditionally.  They elope but keep their marriage secret.  Joey takes advantage of the opportunity to take a trip with the girl he has a crush on, but since it didn’t go as expected, he resumed his relationship with Connie and later Walter and Patty are informed.  Jessica is mentioned on-and-off as the child with no major hang-ups, did well in school, became a good youthful Democrat, but didn’t do as well after college as Joey, a Republican, who got a large salary by working as little as possible and making shady business deals. 

Walter and Patty re-locate to Washington, DC, where Walter earns a nice salary directing a trust to save the endangered avian the cerulean warbler.  Patty finally gets a job for the first time in her life in a gym, and though she is wary of Walter’s young assistant, she does not leave him.  Richard Katz re-enters their life, and when Richard revealed to Walter that he and Patty had been intimate in the past, Walter throws Patty out and begins his romance with his assistant.  Patty lives with Richard for a while, then moves to New York City and becomes independent.

Walter’s obsession with the warbler leads him to speak to groups, make deals with coal companies, and sees his ideals get embraced by his assistant, who wants a tubal ligation because he’s convinced her so well of the problem of world overpopulation.  Later Walter’s bird trust falls apart, and he travels the US in a van with his new lover (his assistant).  They have a disagreement because Walter wants to return to an old lake house left by his mother, and she travels on to West Virginia for a Woodstock-type program that ends tragically.  Walter’s efforts to change the world to the manner he sees fit grinds to a halt.

When Patty’s father dies, more details about her family and how they divide the inheritance comes up, and somewhere, details of Walter’s grandparents that died in a car accident are explained. Walter holds up in the lake house and is considered by his neighbors to be a loner and a weirdo.  Patty finally visits him six years after their separation, and neither filed for divorce.  After working out their problems, they re-locate to New York and establish relationships with their family.  Oh, and the autobiographer later gets older and menopausal.

Review:
This is not a work of literature that reads smoothly; actual it’s been the most labored read I’ve done since the novella “Heart of Darkness.”  The beginning narrates a story of a middle-class American family, with each member with their own detailed personalities, hang-ups, and obsessions.  I didn’t really dislike the characters, but their stories are told in a negative viewpoint of the author.  So what, a woman that just wanted to be a stay at home Mom has a low self-esteem?  Does that make her evil?  No. She’s whiny, but matures later on, and to me she’s no more self-obsessed than most people.  Walter is a hard-working man who strives for integrity, which is admirable.  His political zealously gets strange, as worked so hard to take care of his family, but looks upon others with disdain because they are poor and have children.  If people would just think like him, then the world would have no problems.  Well, OK; he’s eccentric, but not someone I’d go out of my way to dislike.  The kids Joey and Jessica are different brands of generation X; one is lazy but clever enough to get ahead early in life, and the other is idealistic and doesn’t gain the same degree of financial independence.  Neither of these kids is horrific; some infidelity seen in young people not overly surprising.  Richard Katz, the successful rock star-gone-has been is mentioned in many reviews of this book.  Many readers dislike him, but to me he is straightforward, doesn’t give love to others, and doesn’t pretend to, believe in himself and nothing else, so well, what you see is what you get.  I didn’t dislike Richard; I just felt the same indifference to him that he showed everyone else.

But let’s not leave out the most important character of this novel, pictured on the book’s cover and on this review: the cerulean warbler.  Now I like pretty blue birds as much as the next person; I don’t go out of my way to harm birds; albeit if one relieves itself on my car, I’m not appreciative.  I’m also a Hitchcock fan and appreciate “too much of a good thing” in the famous film “The Birds.”  This, to me, is where the author chops up the story into huge icebergs.  The politics seem to be thrown in and do not glide with the book as a whole.  In his interviews I watched, he expressed to my dismay that the environmental issues were not satire; for if it had been, I’d have called it clever.  This doesn’t mean I don’t care about these issues, but to me it’s awkward in his prose.  It’s unfortunate that this author’s passion actually weakens instead of strengthening the novel.  If he had just stayed on message, about the family’s life and experiences, and weaved the political issues into the story with subtlety instead of “in your face” it may have made more sense.  This is where Richard Yates’ “Revolutionary Road” beats “Freedom” hands down.  If not for that, this would be an interesting parallel; to have “Freedom” be the “suburban-esque” novel with a positive message in lieu of the negative message of “Revolutionary Road.”

So, my final verdict of “Freedom” is three stars.  Most of his reviews are one-two or four-five.  There’s no doubt this author can write, and just ask him in an interview, he’ll tell you.  I’ll tell you there’s no way an editor would let me get away with that many adverbs and run-on sentences; but when one’s earned a National Book Award, I suppose he’s earned the right to make the manuscript as laborious to read as possible.  What’s good about this book is the positive note in which it ends.

Mr. Franzen, congratulations on “Freedom.”  I understand it’s not easy to follow-up an award-winning piece “The Corrections,” which I’d like to read some day.  I think you’re a good writer, and possibly a great writer.  With this particular book, you settled for good instead of great.  If the ghost of Richard Yates visits you, say hi to him, as he remains the master storyteller of the American suburban family. 

Monday, June 6, 2011

On “Bang!” “Revolution,” and “Freedom:” Novels and Marriage by C.C.Cole June 6, 2011



When several weeks ago I decided to take on and do a full analysis of the bestseller “Freedom” by Jonathan Franzen, typical me, I took a large bite.  By declaring that I intended to analyze and review this mega-novel, I made myself accountable to doing what I gripe about other reviewers not doing:  posting a review without reading the book.  I’ve read it, first to final page.  The full review is to follow soon.

When I began reading “Freedom” another novel sprang into my mind during the first chapter; the famous critically-hyper-acclaimed “Revolutionary Road” by Richard Yates.  (The film, though done reasonably well, does not compare well to the novel).  Writers herald Yates’ masterpiece more than readers, which is understandable due to the disturbing subject matter.  As I was thinking about making this comparison, I went to Google and immediately found an article that read my mind, but back in February 2011.  While at first dismayed because someone else snagged my idea, on thinking further I believe this prior comparison helps to certify my own impression of these two books.

The third book in this comparative analysis is the stylish noir “Bang!” by new author William Butler.  Like the two above, this novel is not for all audiences. However, Butler’s excellent writing skills stand up to many multi-published authors. 

What does this trio of novels have in common?  They are all set in modern American suburbia.  They all are about marriage, what the relationship means to the couple, and how that close relationship motivates each partner. 

How do these books compare, other than famous author (Franzen), almost forgotten author (Yates), and relatively unknown author (Butler)?  My ranking of the three novels, least to best, with my interpretation of the message regarding marriage below each in italics:

Third place:  “Freedom” by Jonathan Franzen.  To be fair, this book is not as terrible as some are saying.  I don’t believe Franzen hates his characters; on the contrary, he saves them in the end, thus showing the reader how important the relationships of family and marriage are to people, regardless of a lifetime’s events.  Problems happen during the couple’s marriage, people separate, but for reasons beyond deep love, they find their way back together.  (I’m leaving out the political issues in “Freedom” for the review).

Message:  Regardless of what life hits us with, the people we love deep down are always with us, and the fortunate ones can find their way back to happiness after separation.

Second place:  “Bang!” by William Butler.  He’s stated he’s been writing for much of his life, so to compare this unknown author to me is not an insult to the other two.  The married couple in this noir story begins with serious problems with each other and themselves and by their best efforts to make everything in their lives worse, they succeed in derailing their lives to tragic ends, as no other destiny is possible.

Message:  Married people living moment-to-moment with twisting emotions of love/hate for each other carry self-destructive behavior to disastrous ends.

First place:  “Revolutionary Road” by Richard Yates.  The married couple thinks of themselves as special and capable of doing more fantastic things with their life than suburban family living.  Because of the inability of giving love from one partner, and the unwavering love from the other partner, their fantasy free-falls into a tragic reality.

Message:  We all think we’re special.  If not for these desires we would be rocks, but to act on our desires without maturity can be our undoing.

Why are these “blame it on suburbia” books so popular?  Most Americans live in the suburbs, and these stories reflect what many of us witness in our everyday lives.  While I like many genres of fiction, stories about everyday people hits us deep down, and be it a happy or tragic end, the message stays with us. 

My Review of “Learning to Fly” by author Gina Penn by C.C.Cole


I downloaded “Learning to Fly” a few weeks ago and somehow by my own disorganization the excellent writing was temporarily wandering deep in the catacombs of my laptop.  When Smashwords was kind enough to remind me that I need to read this fabulous ebook and post a review, I managed to locate it and it’s the first book I tried on my new Sony e-reader. (I’m going through a phase of trying different e-readers…one of my many hang-ups).

I devoured this very interesting, compelling written work within three hours (I reference my article on book-eating).  Penn tells a series of unrelated stories with a single fascinating, but horrifying theme: death.  I tend to back away from a detailed synopsis on book to avoid spoilers, but this book draws the reader into many ways people experience death; from knowing it’s coming soon by another’s hand, by accident, and from the standpoint of another witnessing the death of another. 

Anyone that likes a short, deep, compelling read should definitely check this work out.  It’s not comedy, and isn’t meant to be.  What it does is expose the inner fears we all carry about the end of our lives, and the affect the loss of life has on others.  Congratulations, five out of five stars!

On Finding the Comfort Zone of Erotica by C.C.Cole June 6, 2011

Like I've stated in prior articles, I've been reading Bestseller mainstream books since my pre-teen years. My educator-family favored reading period, as long as it didn't go too far off the edge. Therefore, I read a lot that I really didn't understand until many years later. I found new words that I had to find out they were "bad words" the hard way. Because this is a sensitive subject to the parents out there, let me declare I'm using the term "erotic" meaning between adults in the novel read by adult readers.

So what is the "edge" of erotic scenes in novels? Is it an adult intimate scene between two people, three, or ten people? Do the acts express what we see in R-rated films or what is imagined in Penthouse Forum? What is the purpose of vivid sexual scenes in novels, which is almost a cornerstone for most adult fiction books for the past many years?

I don't get offended by much of what I read regarding sexual content. I read it, see it for what it is, and move on. While I don't gravitate to books centered around an erotic theme, I don't see the need as an adult to drop the book into flames and run down the street screaming. To me, adding these scenes to stories brings out a significant part of relationships between adults. If people are in love/lust it's understandable to have the physical part described. Some say adult scenes in adult novels make the story more realistic, so if emotions/relationships break down, the reader absorbs more by knowing the physical aspect of the relationship.

So what of us new authors and writing erotic scenes? I describe myself as reading like an adult and writing like a young adolescent. In the Gastar series, the closest I get to an erotic scene is the kidnapping of girls for the antagonist Zermon's evil plans, and an attempted "ravishing" of Shevata by Behemeth, Zermon's half-demon-half human son (for those who have not read my novellas, let's just say he chose his victim poorly).

So am I just a prude stuffed-shirt because I don't write heavy physical adult scenes? Perhaps. But every writer has his or her comfort zone in writing the material. For me, it's easier to read it than to write it. For others, some writers try it and find they have a talent in writing adult content and have big careers. Does writing this material reflect on the character in the writer? No. The same could be said for the bladed violence in my stories, writing violent material doesn't mean that I'm stalking the alleys for bad guys to slam a dagger into.

So, new authors, again, go forth and write in your comfort zone. Erotic? If it works with the story, it's up to you. Only the author can create the story, and only the audience can give feedback to the relevance of the content.

Saturday, June 4, 2011

On Sequel Sympathy by C.C.Cole June 4, 2011

When thinking of great series of fictional books, like LOTR (which reads more like one big book to me), Harry Potter, or films like "Star Wars," when the sequel is announced, I get mixed feelings. First, I'm elated, wanting more of what the first story gave me. But, the concern of sequel let-down hovers over as well, when expectations are high. For films, a memorable ad was "Caddyshack: Better than Caddyshack 2" (something like that).

I used to scoff at sequel Hollywood films, as so many didn't stand up to the original; for example, "The Ring 2," and countless comedies. Exceptions are out there, as I'm a fan of "Empire Strikes Back." In novels, "Dune" sequels were a let-down, but "Harry Potter" stood up well. Let me define "sequel" as the second story. That's important because hindsight is always 20/20 looking back on a trilogy or more. The second book can drive the series into mainstream readers or over a cliff.

My first positive reviews for my first book, "Act of Redemption," cited the rapid-action of the story, the intense battle scenes, and the dark humor between Shevata and Zermon. So when writing the second of the four novellas, "Children of Discord," the reality of The Sequel Syndrome hit me like a stack of bricks. Obviously, I didn't want to let my fans down, but I dislike re-runs. So to keep the story moving, I took a different approach. Instead of in-sequence, I fractured the story and titled the chapters to keep the reader on track. Also, instead of the big battles, I narrowed the cast (the humans change with every novella) and used more intrigue and cloak-and-dagger sequences. The lead character Shevata is introduced at the beginning of the story instead of entering as a side character. I added a first-person narrative by Shevata to give the reader opportunity of this complex protagonist with a very dark past.

When the second book came out, my original fans were more lukewarm. What? Did I do something wrong? Were you bored, confused, offended, or all of the above? The replies were every bit as fractured as the story. Some fans wanted more big battles, some wanted the original human characters back, and others wanted more of the humorous banter between Shevata and Zermon. None of my fans said it was terrible, but each had there own idea of what the sequel should be like.

Which brings us back to the point of sequels, namely the second book. As a new author, I've learned to sympathize more with Hollywood, something I never thought I'd do. A follow-up to a popular story is every bit, if not more difficult, than the first. Sequels are a big challenge for the new author, as we walk a fine line between wanting to please everyone, but afraid of pleasing no one. What can the new author do? Make the sequel like you want to guide the story. It's your instincts as a writer to put your imagination into print, so write, let it stand, because the audience decides its worth. As the series grows, so does the audience, and while some fans may be lukewarm, others will lock in, waiting for the next installment.

So now, when Hollywood brings out "Saw XXIV" it may not be my thing, but I now appreciate the challenge of sequels.

Friday, June 3, 2011

On The Three-Star Review by C.C.Cole June 3,2011

Like other authors, I get anxiety when I know a review's coming up. While elated that someone's taking the time to read my work (with ignoring the worst outcome), I know there's a "make or break" with reviews. The dream is all five-star glowing opinions, with the nightmarish one or two stars while the reviewer admits to not finishing the book!

I've read the articles that mention the "shill (or shrill...my blog lingo is off) reviews" when friends and family do glowing reviews with no other reviews on amazon. I do understand the point, but for a new author, think about if friends/family didn't do a review for you? Outside of not wanting to post a review, if your mom doesn't like your work, it can't be good for the psyche of the new author. I've learned with time, proper promotion, and networking, reviewers are out there and do great work. Helping hands are hard to find at first for the new author, so what if your mom, best friend, or co-workers post a review? What does one expect, NYT?

Four and five star reviews are as easy to understand as the one and two star ratings. What about three stars? Does that mean "it's good, the author needs to grow some" or " it's good , but for a specific audience" or " it's really not that bad." This may sound petty, but for the new author, everything said about the work the writers feels every word. I don't know if the hyper-sensitivity goes away, but hope to find out on my writing journey.

Reviewing books has helped me understand the standpoint of reviewers, and I highly recommend it to new authors. Not only is the new author giving an opinion, ge/she is reading more. I've found reading to be the most helpful way to improve writing skills, and some experts say doing reviews gives new authors some of the credibility they need.

So when I get a three-star review, I try to think of why I give a three star review. Usually it's something about the content that didn't snag me I to the story, though the step-back, big picture the work is good enough not to label "bad.". As I've stated before, I'm a content reader, but other readers are very grammar-sensitive, which can cost a star. Some of my three star reviews, the reviewer clearly states that some of the story is confusing, too short, to fractured. A reviewer shouldn't be attacked period, unless they admit not finishing the book. (I could go into Ms Howlett's on-line meltdown, but whoever hasn't seen that should see what NOT to do with a negative opinion).

I appreciate my three star reviews. Sure, I'd like it to rate higher, but reality is we're all different, with variable interests which keeps humans from being mindless rocks. When the experts say authors should expect a scatter of ratings, and that only makes sense, how can one novel impress everyone? The same could be said of music, art, and other creative endeavors. So, new authors, keep writing, and if your worst review is three stars, consider yourself blessed. If your mom posts a nice review, thank her for the support. And last, thank the reviewer for doing unpaid work that's not as easy as it sounds. The world is no more perfect than the new author.

Thursday, June 2, 2011

Bang Noir: Act of Redemption: The First Gastar Book by C. C. ...

Bang Noir: Act of Redemption: The First Gastar Book by C. C. ...: "Two hundred years has passed since assassin Shevata killed the last of the Abbian priests. As a result, Zermon, a demonic foe of Sheva..."